Thursday, 30 January 2014

Flims we have researched


The Lovely Bones
A 14-year-old girl in suburban 1970's Pennsylvania is murdered by her neighbour. She tells the story from the place between Heaven and Earth, showing the lives of the people around her and how they have changed all while attempting to get someone to find her lost body.
Director:

 Peter Jackson


Writers:

 Fran Walsh (screenplay), Philippa Boyens (screenplay).


Stars:

 Rachel Weisz, Mark Wahlberg, Saoirse Ronan.



Hide And Seek

After the sudden  suicide of his wife, David Callaway takes his traumatised daughter, Emily, away to to start their life again in a new home. Emily fails to settle in well, with David becoming concerned as Emily identifies with Charlie and imaginary friend. Someone who David has never met before, but who likes to play Hide and Seek.
Director:

 John Polson


Writer:

 Ari Schlossberg
Stars:

 Robert De Niro, Dakota Fanning, Famke Janssen.


We studied these two films for our research because we thought they had good story lines and also fitted out genre; physiological thriller. I also really like the colour used on the lovely bones because it was really vivid and bright so I would like to use this when we film the first part of our two minute opening of our flashback of the two little girls in the park. To show equilibrium and then the next part will be darker and less vivid colour to show contrast to the first part. I also think it would be good then we edit the first bit edit more of the colour red into it to show slight danger.

Monday, 16 December 2013

Film Age Restrictions

What does the 15 symbol mean?

No-one under 15 is allowed to see a 15 film at the cinema or buy/rent a ‘15’ rated DVD. 15 rated works are not suitable for children under 15 years of age.

Are there any limits on what sort of theme a work can have at 15?

There are no theames that cant be used but needs apropriate for 15 year olds.

Is 15 really stronger than 12A?

Yes. 15 works are stronger than 12 or 12A rated works and could include any of the following:
  • strong violence
  • frequent strong language (eg 'f***').
  • portrayals of sexual activity
  • strong verbal references to sex
  • sexual nudity
  • brief scenes of sexual violence or verbal references to sexual violence
  • discriminatory language or behaviour
  • drug taking

How much strong language is there in a 15?

At 15 there is no limit on the number of uses of strong language (eg f***).
Occasionally there may be uses of the strongest terms (eg 'c***'), although continued use will not normally be passed 15.

What about discriminatory or offensive terms?

There may be racist, homophobic or other discriminatory language, and the work could explore themes relating to this.
However, at 15 the work as a whole must not endorse discriminatory language or behaviour.

How much sex and nudity is allowed at 15?

At 15 sexual activity can be portrayed, as long as there is no strong detail. Some sex scenes can be quite long on a 15 rated film and may include some nudity and movement. Though nudity may be allowed in a sexual context there should be no strong detail.
There are no constraints on nudity in a non-sexual or educational context.
There can be strong references to sex and sexual behaviour, but especially strong or crude references are unlikely to be acceptable unless justified by context.
Heterosexual and homosexual sex and sex references are treated the same.

Can there be strong violence?

Yes, at 15 violence might be strong. It should not focus on the infliction of pain or injury, however, and the strongest gory images are unlikely to be acceptable.
Strong sadistic or sexualised violence is also unlikely to be acceptable.
Easily accessible weapons may not be glamorised.

What about sexual violence?

There may be detailed verbal references to sexual violence (for example descriptions of rape or sexual assault in a courtroom scene or in victim testimony) but any portrayal of sexual violence must be discreet and have a strong contextual justification.

What about horror works?

Many horror films are rated 15. At 15 there can be strong threat and menace (as long as it is not sadistic or sexualised), although the strongest gory images are unlikely to be acceptable.

Can you see drugs in a 15 rated film or video?

At 15 drug taking may be shown but the work as a whole must not promote or encourage drug misuse.
The misuse of easily accessible and highly dangerous substances like aerosols or solvents is unlikely to be acceptable at 15.

What about dangerous behaviour or things teens might copy?

The BBFC consider the risk of potential harm to impressionable teenagers. For example, dangerous behaviour such as hanging, suicide and self-harming should not dwell on detail which could be copied.

All information was taken from the bbfc website.
http://www.bbfc.co.uk/

Psychological Thriller

Psychological Thriller

Psychological thriller is a fictional thriller story which emphasizes the psychology of its characters and their unstable emotional states. In terms of classification, the category is a sub-genre of the broader ranging thriller category, with similarities to Gothic and detective fiction in the sense of sometimes having a "dissolving sense of reality", moral ambiguity, and complex and tortured relationships between obsessive and pathological characters. Psychological thrillers often incorporate elements of mystery, drama, and horror, particularly psychological horror. They are usually books or films. Peter Hutchings states that varied films have been labelled psychological thrillers, but that it usually refers to "narratives with domesticated settings in which action is suppressed and where thrills are provided instead via investigations of the psychologies of the principle characters." A distinguishing characteristic of a psychological thriller is a marked emphasis on the mental states of its characters: their perceptions, thoughts, distortions, and general struggle to grasp reality. According to director John Madden, psychological thrillers focus on story, character development, choice, and moral conflict; fear and anxiety drive the psychological tension in unpredictable ways. Madden stated that their lack of spectacle and strong emphasis on character have caused them to decline in popularity in Hollywood. Psychological thrillers are suspenseful by exploiting uncertainty over characters' motives, honesty, and how they see the world. Films can also cause discomfort in audiences by privileging them with information that they wish to share with the characters; guilty characters may suffer similar distress by virtue of their knowledge. James N. Frey instead defines psychological thrillers as a style, rather than a sub-genre; Frey states that good thrillers focus on the psychology of their antagonists and build suspense slowly through ambiguity. Distinguishing psychological thrillers from horror films can be difficult; marketing is used to differentiate the genres, though fans may reclaim films in contravention to the original marketing. Creators who seek to distance themselves from the negative connotations of horror may categorize their work as a psychological thriller. The same situation can occur when critics label a work to be a psychological thriller in order to elevate its perceived literary value.

Friday, 13 December 2013

What do you like best in a horror film?

What disappoints you in a horror film?

Shot List

Shot List • Establishing shot – Wide shot of dinner ladies in the kitchen • Medium close up shot – Shot reverse shot whilst dinner ladies are seen to be talking • Close up – Door handle • Long shot – Dinner lady walking to the pupil and sits opposite the pupil at the table • Medium close up – Shot reverse shot whilst dinner lady and pupil are seen to be talking • Extreme close up – Shot of dinner lady’s face